Lopende doctoraatsprojecten
The historically curious guitarist - Giulio Quirici
Giulio Quirici, Koninklijk Conservatorium Antwerpen
The historically curious guitarist (2025-2029)
Promotoren: Erik Myin en Frank Agsteribbe
Metacognitive Assemblies. Crafting intra-relations with Technology in Posthuman Making - Edu Tarin
Edu Tarin, Koninklijke Academie voor Schone Kunsten Antwerpen
​ (2025-2029)
Promotoren: Jouke Verlinden en Thomas Crombez
Entangled Rawness: navigating nonlinear creativity through the no-input mixer - Davide Paolillo
Davide Paolillo, Koninklijk Conservatorium Antwerpen
​ (2025-2029)
Promotoren: Jouke Verlinden en Umut Eldem
A Whirlpool of imaginary sounds - Nicholas Cornia
Nicholas Cornia, Koninklijk Conservatorium Antwerpen
​ (2025-2029)
Promotoren: Bert De Munck en Bruno Forment
De cello zingen – vocaliteit als principe van romantisch instrumentaal spel in het werk van Schumann - Marie-Louise Wundling
Marie-Louise Wundling, Koninklijk Conservatorium Antwerpen
De cello zingen – vocaliteit als principe van romantisch instrumentaal spel in het werk van Schumann (2025-2029)
Promotoren: Bart Eeckhout en Stijn Saveniers
Reviving Nicolas Gombert (c. 1495–c. 1560): Style, Context, and Performance - Arturo Moscoso Sequera
Arturo Moscoso Sequera, Koninklijk Conservatorium Antwerpen
Reviving Nicolas Gombert (c. 1495–c. 1560): Style, Context, and Performance’ (2025-2029)
Promotoren: Luc Anthonis en Bruno Blondé
The Epistemology of Air: Musicing through Evolving Perspectives - Jonathan Chazan
Jonathan Chazan, Koninklijk Conservatorium Antwerpen
The Epistemology of Air: Musicing through Evolving Perspectives (2025-2029)
Promotoren: Karin De Fleyt, Jonathan Impett en Kevin Mets
Wie en wat maakt de academietuin? - Eline De Clercq
Eline De Clercq, Koninklijke Academie voor Schone Kunsten Antwerpen
​ (2025-2029)
Promotoren: Pascal Gielen en Heide Hinrichs
Spookachtige dramaturgieen: migrantenverhalen vertellen via Immersieve Technologie in Performance - Furkan Ak
​Furkan Ak, Koninklijk Conservatorium Antwerpen
​ (2025-2029)
Promotoren: Youniss Ahamad (Koninklijk Conservatorium Antwerpen) en Kurt Vanhoutte (Universiteit Antwerpen)
Analogy and the Erotics of Interpretation - Emil Gryesten Jensen
​Emil Gryesten, Koninklijk Conservatorium Antwerpen
​ (2025-2029)
Promotoren: Frank Agsteribbe, Bart Eeckhout en Paulo de Assis
The Computer-Aided Composer - Andrea Agostini
​Andrea Agostini, Koninklijk Conservatorium Antwerpen
The Computer-Aided Composer (2025-2029)
Promotoren: Umut Eldem en Jouke Verlinden
Beyond gaze: Establishing the language of touch in applied drama - Can Boyan
Can Boyan, Koninklijk Conservatorium Antwerpen
​ (2024-2028)
Promotoren: Bob Selderslaghs en Pascal Gielen
Hearing room: Ghosts of the African Democratic Assembly - ayoh kré Duchâtelet
ayoh kré Duchâtelet, Sint Lucas Antwerpen
​ (2024-2028)
Promotoren: Joachim Ben Yakoub en Matthias De Groof
Empowered Care - Dimitri van den Wittenboer
Dimitri van den Wittenboer, Sint Lucas Antwerpen
​ (2024-2028)
Promotoren: Ann Laenen en Pascal Gielen
Corpo-gambiarra: dance, costume, and politics of the body - Renata Lamenza Epifanio
Renata Lamenza Epifanio, Koninklijk Conservatorium Antwerpen
​ (2024-2028)
Promotoren: Kathleen Coessens and Pascal Gielen
From Stage to Page: An Experimental, Performance-led examination of the relationship between Musical Performance and Musical Analysis - ​Alastair Matthews
​Alastair Matthews, Koninklijk Conservatorium Antwerpen
​ (2024-2028)
Promotoren: Jeroen Malaise en Bart Eeckhout
Words out of tune. Collective practices of vocal improvisation - Miriana Faieta
Miriana Faieta, Koninklijk Conservatorium Antwerpen
Words out of tune. Collective practices of vocal improvisation (2024-2028)
Promotoren: Katrien Van Opstal en Pascal Gielen
The Voice of Many Waters: Acoustemopoetic Composition of Carmelite Mysticism - Tomer Damsky
Tomer Damsky, Koninklijk Conservatorium Antwerpen
​ (2024-2028)
Promotoren: Frank Agsteribbe en John Arblaster
On the perpetual becoming of sculpture and history and their moments of convergence - Laurence Petrone
Laurence Petrone, Koninklijke Academie voor Schone Kunsten Antwerpen
​ (2023-2027)
Promotoren: Hans Theys en Herman Van Goethem
Exploring the Diasporic Life of Armenian Script: a multiscript design laboratory - Garine Gokceyan
Garine Gokceyan, Sint Lucas Antwerp
​ (2023-2027)
Promotoren: Ruth Razan Loos, Loraine Furter en Kathleen Gyssels
Voices of Materials: Probing the Cultural Ecology of Material Finitude - Irma Földényi
Irma Földényi, Sint Lucas Antwerpen
​ (2023-2027)
Promotoren: Wesley Meuris en Kyoko Iwaki
Practice: a metaphor - Metaphorizing practices and practicing metaphors - Vedran Kopljar
Vedran Kopljar, Koninklijke Academie voor Schone Kunsten Antwerpen
​ (2023-2027)
Promotoren: Nico Dockx en Arthur Cools
Hyperwithin: a shy dramaturgy in shadowtimes - Anne-Lise Brévers
Anne-Lise Brévers, Koninklijk Conservatorium Antwerpen
​ (2023-2027)
Promotoren: Annouk Van Moorsel en Kyoko Iwaki
De taal van Benoit - Hannah Aelvoet
Hannah Aelvoet, Koninklijk Conservatorium Antwerpen
​ (2023-2027)
Promotoren: Jan De Wilde en Kevin Absillis
Against Forgetting: Exploring poetic gestures of return(ing) to the land in Palestine - Shayma Nader
​Shayma Nader, Sint Lucas Antwerpen
​ (2022-2026)
Promotoren: Joachim Ben Yakoub, Gert Van Hecken en Matthias De Groof
Contemporary Kasala and Lukasa: towards a Reconfiguration of Identity and Geopolitics - Sammy Baloji
Sammy Baloji, Sint Lucas Antwerpen
​ (2020-2026)
Promotoren: Ruth Razan Loos, Bambi Ceuppens en Paolo Favero
Connecting the dots - Lies Colman
​Lies Colman, Koninklijk Conservatorium Antwerpen
​ (2021-2026)
Promotoren: Kathleen Coessens en Pascal Gielen
Perspectives on time in the music by Stockhausen: the experience of a performer - Karin De Fleyt
​Karin De Fleyt, Koninklijk Conservatorium Antwerpen
​ (2022-2026)
Promotoren: Kathleen Coessens en Steven Malliet
Denkende lichamen in Dans - Klaas Devos
​Klaas Devos, Koninklijk Conservatorium Antwerpen
​ (2020-2026)
Promotoren: Annouk Van Moorsel en Timmy De Laet
The politics of publishing; researching encounters between artists’ books and intersectional feminist tools - ​Loraine Furter
​Loraine Furter, Sint Lucas Antwerpen
​ (2019-2026)
Promotoren: Kim Gorus en Diana Arbaiza
De stem als instrument / Het instrument als stem - ​Paolo Galli
​Paolo Galli, Koninklijk Conservatorium Antwerpen
(2014-...)
Promotoren: Giusy Caruso, Marlies De Munck en Arthur Cools
Design as a Cultural Communicator - ​Carl Haase
​Carl Haase, PXL MAD Hasselt
Uitgaand dubbeldoctoraat met UHasselt
​ (2016-...)
Promotoren: Ann Bessemans en Pascal Gielen
The Mottolese Archive - ​Ilaria Lupo
​Ilaria Lupo, Koninklijke Academie voor Schone Kunsten Antwerpen
​ (2023-2027)
Promotoren: Nico Dockx, Pascal Gielen en Nele Wynants
Moving towards resilience. Joint creation through music and movement for local, immigrant and refugee children - ​Georgia Nicolaou
​Georgia Nicolaou, Koninklijk Conservatorium Antwerpen
​ (2022-2026)
Promotoren: Bob Selderslaghs, Luc Nijs en Peter Van Petegem
Conceptual, Performative, Pedagogical: How to Guide Individuals through Courses of Instructed Simple Action Here and Now as Sites for Framed Chance Interaction between Self and World towards a Truly Personal Body of Work of Art and Life - ​Yuki Okumura
​Yuki Okumura, Koninklijke Academie voor Schone Kunsten Antwerpen
​ (2021-2026)
Promotoren: Nico Dockx en Kyoko Iwaki
Different Tubes - ​Chiara Percivati
​Chiara Percivati, Koninklijk Conservatorium Antwerpen
​ - 2021-2026
Promotoren: Renaud Guy-Rousseau en Jouke Verlinden
Intersecting repertoire: naar een inclusief, divers en representatief repertoire - ​Lauranne Paulissen
​Lauranne Paulissen, Koninklijk Conservatorium Antwerpen
​ (2022-2026)
Promotoren: Edith Cassiers en Timmy De Laet
Empty Pages - ​Bas Rogiers
​Bas Rogiers, Koninklijke Academie voor Schone Kunsten Antwerpen
​ (2019-...)
Promotoren: Johan Pas en Steven Jacobs
​Sense of Wonder. Artistic portals between the real and the virtual - Kristof Timmerman
Kristof Timmerman, Koninklijke Academie voor Schone Kunsten Antwerpen
​ (2022-2026)
Promotoren: Steven Humblet en Jouke Verlinden
Als de kunstenaar zijn beeld inslikt - ​Karel Tuytschaever
​Karel Tuytschaever, Koninklijke Academie voor Schone Kunsten Antwerpen
​ (2022-2026)
Promotoren: Inge Henneman en Annemie Leemans
Black Yarns: A Decolonial Research into the History of Black Women’s Fashion & Jewellery Design Practices - ​Pierre-Antoine Vettorello
​Pierre-Antoine Vettorello, Sint Lucas Antwerpen
​ (2021-2026)
Promotoren: Kim Gorus en Diana Arbaiza
Queering the censorship: A (self-)investigation through the first-person perspective of an experimental filmmaker in Vietnam - ​Việt Vũ
​Việt Vũ (Quang Trung Pham), Sint Lucas Antwerpen
​ - 2022-2026
Promotoren: Sofie Verdoodt en Philippe Meers
PhD researchers in action
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Klaas Devos (PhD researcher at Royal Conservatoire Antwerp and ARIA, ¶¶Òõ¶ÌÊÓƵ) presenting the developments in his PhD research ‘Thinking Bodies in Dance. Somatic R.E.A.C.H. (research in electronic and algorithmic choreography)’, during the ARTICULATE Research Days, 2021, photo by Wannes Cré -
Workshop by Andrea Cammarosano (PhD researcher at the Royal Academy of Fine Arts Antwerp and ARIA, ¶¶Òõ¶ÌÊÓƵ), during the Open Laboratory Weeks at the Academy, 2021, photo by Wannes Cré -
Research class for students by artist Els Dietvorst (PhD researcher at the Royal Academy of Fine Arts Antwerp and ARIA, ¶¶Òõ¶ÌÊÓƵ), during the ARTICULATE Research Days at the Academy, 2020, photo by Miles Fishler. -
Umut Eldem (PhD researcher at Royal Conservatoire Antwerp and ARIA, ¶¶Òõ¶ÌÊÓƵ) performing ‘The Road Endless’ as part of his doctoral research into synaesthesia, during the ARTICULATE Research Days, 2021, photo by Wannes Cré -
Kobe Van Cauwenberghe (PhD researcher at Royal Conservatoire Antwerp and ARIA, ¶¶Òõ¶ÌÊÓƵ) performing ‘Composition 381 (Echo Echo Mirror House Music)’ by Anthony Braxton, during the ARTICULATE Research Days at the Conservatoire, 2021, photo by Wannes Cré -
Lecture-performance ‘Hearing with the eyes - composing musical-gestural works’ by Winnie Huang (PhD researcher at Royal Conservatoire Antwerp and ARIA, ¶¶Òõ¶ÌÊÓƵ), during the ARTICULATE Research Days, 2021, photo by Wannes Cré
