Meeting another Waterloo: Edmond Bernhard and the “metaphysical subversion of the tourist film”
Source
Cinema in Post-War Belgium: Rebuilding Screens and Identities, 1944-1967 / Willems, G. [edit.]; Gabriels, B. [edit.]; Rochet, B. [edit.]-p. 281-297
A royal zero hour?: Belgian King Leopold III and SS officer Ernst Schäfer making Masters of the Congo Jungle (1958)
Source
Cinema in Post-War Belgium: Rebuilding Screens and Identities, 1944-1967 / Willems, G. [edit.]; Gabriels, B. [edit.]; Rochet, B. [edit.]-p. 339-360
Introduction : cinema in post-war Belgium
Source
Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967 / Willems, G. [edit.]; et al.-p. 17-56
From national to regional film support : Belgian film production policy in the post-war era (1945-1967)
Source
Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967 / Willems, G. [edit.]; et al.-p. 59-73
Flemish popular comedies : Edith Kiel, Jan Vanderheyden, and the Antwerp Film Company AFO, 1952–1961
Source
Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967 / Willems, G. [edit.]; et al.-p. 171-187
Tracing the origins of Fugitive Cinema
Source
Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967 / Willems, G. [edit.]; et al.-p. 239-256
Cinema in post-war Belgium : rebuilding screens and identities, 1944-1967
Source
Leuven, Leuven University Press, 2026,384 p.
Joseph Roth : Schijnwereld: filmkritieken 1919-1935
Source
Gent, Borgerhoff & Lamberigts, 2026,286 p.
Henri Michaux & film : images du monde visionnaire (1963)
Source
Gent, MER.Books, 2026,215 p.
The dialectics of tradition in dance: between continuity and discontinuity
Source
The Oxford handbook of dance and memory / Franco, Susanne [edit.]; Nordera, Marina [edit.]-p. 429-449