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Forthcoming

Little, James. The Making of Samuel Beckett's 'Not I' / 'Pas moi', 'That Time' / 'Cette fois' and 'Footfalls' / 'Pas'. University Press Antwerp & Bloomsbury, Winter 2021.

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Nixon, Mark, and Dirk Van Hulle, eds. The Oxford Handbook of Samuel Beckett. Oxford University Press, Autumn 2021.

Nugent-Folan, Georgina. The Making of Samuel Beckett's 'Company' / 'Compagnie'. University Press Antwerp & Bloomsbury, Summer 2021.

Verhulst, Pim. The Making of Samuel Beckett's Radio Plays. University Press Antwerp & Bloomsbury, Spring 2021.

2021

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2020

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2019

2018

2017

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2016

2015

2014

2013

2012

Bird, Dúnlaith, Danièle de Ruyter, Sjef Houppermans, and Angela Moorjani, eds. Early Modern Beckett / Beckett et le début de l'ère moderne. Amsterdam / New York: Rodopi, 2012. Samuel Beckett Today / Aujourd’hui 24.

Bolin, John. Samuel Beckett and the Modern Novel. Cambridge: Cambridge Univerity Press, 2012.

Carney, James, Leonard Madden, Michael O’Sullivan, and Karl White, eds. Beckett Re-Membered: After the Centenary. Newcastle upon Tyne: Cambridge Scholars, 2012.

Carpenter, Charles A. The Dramatic Works of Samuel Beckett: A Selective Bibliography of Publications about his Plays and their Conceptual Foundations. London: Continuum, 2012.

Chattopadhay, Arka, and James Martell, eds. Samuel Beckett and the Encounter of Philosophy and Literature. Roman Books, 2012.

Dinçel, Burç Idem. Last Tape on Stage in Translation: Unwinding Beckett's Spool in Turkey. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2012.

Gardner, Colin. Beckett, Deleuze and the Televisual Event. Basingstoke: Palgrave Macmillan, 2012.

Gontarski, S.E., ed. On Beckett. Essays and Criticism. Revised Edition. London: Anthem Press, 2012.

Gontarski, S.E., ed. The Beckett Critical Reader. Edinburgh: Edinburgh University Press, 2012.

Hori Tanaka, Mariko, Yoshiki Tajiri, and Michiko Tsushima, eds. Samuel Beckett and Pain. Amsterdam / New York: Rodopi, 2012.

Lemonnier-Texier, Delphine, Geneviève Chevallier, and Brigitte Prost, eds. L’Esthétique de la trace chez Samuel Beckett: É criture, représentation et mémoire . Rennes: PU Rennes, 2012.

Lozier, Claire. De l’abject et du sublime: Georges Bataille, Jean Genet, Samuel Beckett. Peter Lang, 2012.

Mannweiler, Caroline. L’éthique beckettienne et sa réalisation dans la forme. Amsterdam / New York: Rodopi, 2012.  

Poole, Adrian. Joyce, T.S. Eliot, Auden, Beckett: Great Shakespeareans. London: Continuum, 2012.

Salisbury, Laura. Samuel Beckett: Laughing Matters, Comic Timing. Edinburgh: Edinburgh UP, 2012.

Schenk-Haupt, Stefan. To and fro in shadow - by way of neither: Grundlegung der literarischen Hermeneutik am Beispiel der Werke Samuel Becketts. Peter Lang, 2012.

Terlemez, Serpilekin. Le théâtre innommable de Samuel Beckett. Paris: L’Harmattan, 2012.

Tucker, David. Samuel Beckett and Arnold Geulincx: Tracing ‘A Literary Fantasia’. London: Continuum, 2012.

Weiss, Katherine. The Plays of Samuel Beckett. London: Methuen Drama, 2012. Critical Companions.

2011

Beaujeu, Arnaud. Samuel Beckett: Trivial et spirituel. Le Langage dans les pièces théâtrales, radiophoniques et télévisuelles. Amsterdam: Rodopi, 2011. 

Bennett, Michael Y. Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet and Pinter. Basingstoke: Palgrace Macmillan, 2011. 

Brater, Enoch. Ten Ways of Thinking About Beckett: The Falsetto of Reason. London: Methuen, 2012.

Brown, Llewellyn, ed. Samuel Beckett 1: L’Ascèse du sujet.  Caen: Lettres modernes Minard, 2011. La Revue des lettres modernes.

Brown, Llewellyn, ed. Samuel Beckett 2: Parole, regard et corps. Caen: Lettres modernes Minard, 2011. La Revue des lettres modernes.

De Vos, Laurens. Cruelty and Desire in the Modern Theater: Antonin Artaud, Sarah Kane, and Samuel Beckett. Madison: Farleigh Dickinson UP, 2011.

Dilks, Stephen John. Samuel Beckett in the Literary Marketplace. Syracuse: Syracuse University Press, 2011.

Houppermans, Sjef, Yann Mével, and Dominique Rabaté, eds. Filiations & Connexions / Filiations & Connecting Lines. Amsterdam / New York: Rodopi, 2011. Samuel Beckett Today / Aujourd’hui 23.

Houston Jones, David. Samuel Beckett and Testimony. Basingstoke: Palgrave Macmillan, 2011.

Jebb, Sharon. Writing God and the Self: Samuel Beckett and C.S. Lewis. Orlando: Pickwick, 2011.

Mooney, Sinéad. A Tongue Not Mine: Beckett and Translation . Oxford: Oxford UP, 2011.

Nixon, Mark, ed. Publishing Samuel Beckett. London: British Library, 2011.

Nixon, Mark. Samuel Beckett’s German Diaries, 1936-1937. London: Continuum, 2011.

Pilling, John. Samuel Beckett’s More Pricks Than Kicks: In a Strait of Two Wills. London: Continuum, 2011.

Ross, Ciaran. Beckett’s Art of Absence: Rethinking the Void. Basingstoke: Palgrave Macmillan, 2011.

Sick, Franziska. Raum und Objekt im Werk von Samuel Beckett. Bielefeld: Transcript, 2011.

Stewart, Paul. Sex and Aesthetics in Samuel Beckett's Work.  Basingstoke: Palgrave Macmillan, 2011.

Tophoven, Erika. Glückliche Jahre: Übersetzerleben in Paris, Gespräche mit Marion Gees. Matthes & Seitz Verlag, 2011.

Van Hulle, Dirk. The Making of Samuel Beckett’s Stirrings Still / Soubresauts and Commentdire / what is the word. Brussels: UP Antwerp, 2011.

2010

Beaujeu, Arnaud. Matière et lumière dans le théâtre de Samuel Beckett. Peter Lang, 2010.

Bernier, Frédérique. “La voie et l’os”: Imaginaire de l’ascèse chez Saint-Denys Garneau et Samuel Beckett. Montréal: PU de Montréal, 2010.

Caselli, Daniela, ed. Beckett and Nothing: Trying to Understand Beckett. Manchester: Manchester UP, 2010.

Cixous, Hélène. Zero’s Neighbour: Sam Beckett. Trans. Laurent Milesi. Cambridge: Polity Press, 2010.

Dubor, Françoise, and Anne-Céline Guilbard, eds. Beckett, le mot en espace: Autour du premier théâtre. Rennes: PU de Rennes, 2010.

Engelberts, Matthijs, Matthew Feldman, Erik Tonning, and Dirk Van Hulle, eds. Samuel Beckett: Debts and Legacies . Amsterdam / New York: Rodopi, 2010. Samuel Beckett Today / Aujourd’hui 22.

Gaudard, François-Charles, ed. Rimbaud, Beckett: Dossier “Mixages”. Toulouse: Editions Universitaires du Sud, 2010.

Gontarski, S.E. A Companion to Samuel Beckett. Chichester / Massachusetts: Wiley-Blackwell, 2010. 

Harvey, Robert. Witnessness: Beckett, Dante, Levi, and the Foundations of Responsibility. New York / London: Continuum, 2010.

Hayes, Patrick. J.M. Coetzee and the Novel: Writing and Politics after Beckett. Oxford: Uxford UP, 2010.

Kennedy, Seàn, ed. Beckett and Ireland. Cambridge: Cambridge UP, 2010.

Kim, Rina. Women and Ireland as Beckett's Lost Others: Beyond Mourning and Melancholia. Basingstoke: Palgrave Macmillan, 2010.

McMullan, Anna. Performing Embodiment in Samuel Beckett’s Drama. New York: Routledge, 2010.

Reid, James H. Proust, Beckett, and Narration. Cambridge: Cambridge UP, 2010.

Ricciolini, Maria. Samuel Beckett e la migrazione della parola. Roma, Aracne, 2010.

Shaw, Joanne. Impotence and Making in Samuel Beckett’s Trilogy Molloy, Malone Dies and The Unnamable and How It Is. Amsterdam: Rodopi, 2010.

Wasihun, Betiel. Gewollt – Nicht-Gewollt: Wettkampf bei Kafka: Mit Blick auf Robert Walser und Beckett. Heidelberg: Winter, 2010.

Weagel, Deborah. Words and Music: Camus, Beckett, Cage, Gould. New York: Lang, 2010.

West, Sarah. Say It: The Performative Voice in the Dramatic Works of Samuel Beckett. Amsterdam: Rodopi, 2010.

Yapaudjian-Labat, Cécile. Écriture, deuil et mélancolie: Les derniers textes de Samuel Beckett, Robert Pinget et Claude Simon. Paris: Garnier, 2010.

Bibliography of books on Beckett in Italian: 

2009

Banier, François-Marie. Beckett. London: Steidl, 2009.

Barfield, Steven, Matthew Feldman, and Philip Tew, eds. Beckett and Death. London / New York: Continuum, 2009.

Berne, Marie. Eloge de l’idiotie: Pour une nouvelle rhétorique chez Breton, Faulkner, Beckett et Cortázar. Amsterdam: Rodopi, 2009. 

Bignell, Jonathan. Beckett On Screen: The Television Plays. Manchester: Manchester UP, 2009.

Bixby, Patrick. Samuel Beckett and the Postcolonial Novel. Cambridge: Cambridge UP, 2009.

Boxall, Peter. Since Beckett: Contemporary Writing in the Wake of Modernism. London: Continuum, 2009.

Brunet, Lynn. 'A Course of Severe and Arduous Trials’: Bacon, Beckett and Spurious Freemasonry in Early Twentieth-Century Ireland. Peter Lang, 2009.

Bryden, Mary, and Margaret Topping, eds. Beckett’s Proust / Deleuze’s Proust. Basingstoke: Palgrave Macmillan, 2009.

Campi, Ricardo. Samuel Beckett: Nel buio che illumina la mente. Naples: Liguori, 2009.

Caselli, Daniela. Beckett’s Dantes: Intertextuality in the Fiction and Criticism. Manchester: Manchester UP, 2009.

Feldman, Matthew, and Ulrika Maude, eds. Beckett and Phenomenology. London: Continuum, 2009.

Feldman, Matthew, and Mark Nixon, eds. The International Reception of Samuel Beckett. London: Continuum, 2009.

Gibson, Andrew. Samuel Beckett. London: Reaktion Books, 2009. Critical Lives.

Houppermans, Sjef, Matthijs Engelberts, Danièle de Ruyter, and Dirk Van Hulle. Where Never Before. Beckett’s Poetics of Elsewhere / La poétique de l’ailleurs . Amsterdam / New York: Rodopi, 2009. Samuel Beckett Today / Aujourd’hui 21.

Hubert, Marie-Claude, ed. Lectures de Samuel Beckett: En attendant Godot, Oh les beaux jours. Rennes: PU Rennes, 2009.

Jeffers, Jennifer M. Beckett’s Masculinity. New York: Palgrave Macmillan, 2009.

Kennedy, Seàn, and Katherine Weiss, eds. Samuel Beckett: History, Memory, Archive. New York: Palgrace Macmillan, 2009.

Maude, Ulrika. Beckett, Technology and the Body. Cambridge: Cambridge UP, 2009.

McMullan, Anna, and S.E. Wilmer, eds. Reflections on Beckett: A Centenary Celebration. Ann Arbor: U of Michigan P, 2009.

Morin, Emilie. Samuel Beckett and the Problem of Irishness. Basingstoke: Palgrave Macmillan, 2009.

Murphy, P.J. Beckett's Dedalus: Dialogical Engagements with Joyce in Beckett's Fiction. Toronto: U of Toronto P, 2009.

Murray, Christopher, ed. Samuel Beckett: Playwright and Poet. New York: Pegasus, 2009.

Oser, Lee. The Ethics of Modernism: Moral Ideas in Yeats, Eliot, Joyce, Woolf and Beckett. Cambridge: Cambridge UP, 2009.

Sardin, Pascale. Samuel Beckett et la passion maternelle ou l’hystérie a l’oeuvre. Pessac: PU Bordeaux, 2009.

Taban, Carla. Modalités po(ï)étiques de configuration textuelle: Le cas de Molloy de Samuel Beckett. Amsterdam: Rodopi, 2009.

Veit, Carola. Kraft der Melone. Samuel Beckett im Kino. Berlin: Verbrecher, 2009.

Watt, Stephen. Beckett and Contemporary Irish Writing. Cambridge: Cambridge UP, 2009.

Wessler, Eric. La littérature face à elle-même: L’Écriture spéculaire de Samuel Beckett. Amsterdam: Rodopi, 2009.

White, Kathryn. Beckett and Decay. New York / London: Continuum, 2009.

2008

Ben-Zvi, Linda, and Angela Moorjani, eds. Beckett at 100: Revolving It All . Oxford: Oxford UP, 2008.

Boulter, Jonathan. Beckett: A Guide for the Perplexed. New York / London: Continuum, 2008.

Branigan, Kevin. Radio Beckett: Musicality in the Radio Plays of Samuel Beckett. Bern: Peter Lang, 2008.

Brown, Llewellyn. Beckett, les fictions brèves: Voir et dire.  Caen: Lettres modernes Minard, 2008.

Carvalho, Paulo Eduardo, and Rui Carvalho Homem, eds. Plural Beckett Pluriel: Centenary Essays / Essais d’un Centenaire . Porto: Flup e-Dita, 2008.

Carpentier, Alice. Théâtres d’ondes: Les pièces radiophoniques de Beckett, Tardieu et Pinter. Bruxelles: De Boeck, 2008.

Clément, Bruno, Sjef Houppermans, Minako Okamuro, Mori Naoya, Angela Moorjani, and Anthony Uhlmann, eds. Borderless Beckett / Beckett sans frontières . Amsterdam / New York: Rodopi, 2008. Samuel Beckett Today / Aujourd’hui 19. 

Farbman, Herschel. The Other Night: Dreaming, Writing, and Restlessness in Blanchot, Beckett and Joyce. New York: Fordham UP, 2008.

Gatti, Guido. Aspettare Godot? Tracce di speranza nei drammi di Samuel Beckett. Milano: Ancora, 2008.

Gendron, Sarah. Repetition, Difference, and Knowledge in the Works of Samuel Beckett, Jacques Derrida, and Gilles Deleuze. New York: Peter Lang, 2008.

Germoni, Karine, Matthijs Engelberts, Helen Penet-Astbury, and Danièle de Ruyter. Des éléments aux traces / Elements and Traces. Amsterdam / New York: Rodopi, 2008. Samuel Beckett Today / Aujourd’hui 20.

Gruzinska, Aleksandra, ed. New Interpretations in the History of French Literature: From Marie De France to Beckett and Cioran. Lewiston: Edwin Mellen, 2008.

Lawley, Paul. Waiting for Godot: Character Studies. New York / London: Continuum, 2008.

Mével, Yann.  L ' Imaginaire mélancolique de Samuel Beckett, de Murphy&�Բ�����;à&�Բ�����;Comment c' est.  Amsterdam / New York: Rodopi, 2008.

Oppo, Andrea. Philosophical Aesthetics and Samuel Beckett. Bern: Peter Lang, 2008. 

Ost, Isabelle. Samuel Beckett et Gilles Deleuze: Cartographie de deux parcours d'écriture. Brussels: Facultés Universitaires Saint-Louis, 2008.

Parisse, Lydie. La “parole trouée”: Beckett, Tardieu, Novarina. Caen: Minard, 2008.

Pothast, Ulrich. The Metaphysical Vision: Athur Schopenhauer's Philosophy of Art and Life and Samuel Beckett's Own Way to Make Use of It.  Bern: Peter Lang, 2008.

Schoell, Konrad. Über Samuel Becketts Werk: Essays und Studien. Kassel: Kassel UP, 2008.

Seibert, Peter, ed. Samuel Beckett und die Medien. Neue Perspektiven auf einen Medienkünstler des 20. Jahrhunderts . Bielefeld: Transcript, 2008.

Smith, Russell, ed. Beckett and Ethics. New York / London: Continuum, 2008.

Van Hulle, Dirk. Manuscript Genetics, Joyce's Know-How, Beckett's Nohow. Gainesville: UP of Florida, 2008.

2007

Baker, Berrie. Theatre Censorship in Honecker’s Germany: From Volker Braun to Samuel Beckett. Bern: Peter Lang, 2007. 

Besbes, Khaled. The Semiotics of Beckett’s Theatre: A Semiotic ��������Ƶ of the Complete Dramatic Works of Samuel Beckett. Florida: Universal Publishers, 2007.

Bohman-Kalaja, Kimberly. Reading Games: An Aesthetics of Play in Flann O’Brien, Samuel Beckett and Georges Perec. Illinois: Dalkey Archive Press, 2007.

Byron, Mark, ed. Samuel Beckett’s Endgame. Amsterdam: Rodopi, 2007.

Cerrato, Laura. Beckett: El primer siglo. Buenos Aires: Ediciones Colihue, 2007.

Croke, Fionnuala, ed. Samuel Beckett: A Passion for Paintings. Dublin: National Gallery of Ireland / Paul Holberton, 2007.

Dowd, Garin. Abstract Machines: Samuel Beckett and Philosophy After Deleuze and Guatarri. Amsterdam: Rodopi, 2007.

Feldman, Matthew, and Mark Nixon. Beckett's Literary Legacies. Newcastle: Cambridge Scholars, 2007.

Friedman, Alan W. Party Pieces: Oral Storytelling and Social Performance in Joyce and Beckett. Syracuse: Syracuse UP, 2007. 

Fries-Dieckman, Marion. Samuel Beckett und die Deutsche Sprache: Eine Untersuchung der deutschen Übersetzungen des Dramatischen Werks. Trier: Wissenschaftlicher Verlag, 2007.

Gibson, Andrew. Beckett and Badiou: The Pathos of Intermittency. Oxford: Oxford  UP, 2007.

Herren, Graley. Samuel Beckett's Plays on Film and Television.  Basingstoke: Palgrave Macmillan, 2007.

Iannotta, Antonio. Lo sguardo sottrato: Samuel Beckett e i media. Naples: Liguori, 2007.

Lassaad, Jamoussi. Le pictural dans l’oeuvre de Beckett: Approche poïétique de la choseté. Tunis: Sud, 2007.

Levy, Eric P. Trapped in Thought: A ��������Ƶ of the Beckettian Mentality. Syracuse: Syracuse UP, 2007.

McDonald, Ronan. The Cambridge Introduction to Samuel Beckett. Cambridge: Cambridge UP, 2007.

Mikami, Hiroko, Minako Okamura and Naoko Yagi. Ireland on Stage: Beckett and After. Carysfort Press, 2007.

Montini, Chiara. “La bataille du soliloque”: Genèse de la poétique bilingue de Samuel Beckett. Amsterdam: Rodopi, 2007.

Rathjen, Friedhelm. Beckett: Eine Einführung ins Werk. Scheessel: ReJoyce, 2006.

Schubert, Gesa. Die Kunst des Scheiterns: Die Entwicklung der kunsttheoretischen Ideen Samuel Becketts . Berlin: Lit, 2007.

Slade, Andrew. Lyotard, Beckett, Duras, and the Postmodern Sublime. Peter Lang, 2007.

Szafraniec, Asja. Beckett, Derrida, and the Event of Literature. Stanford: Stanford UP, 2007.

Tajiri, Yoshiki. Samuel Beckett and the Prosthetic Body: The Organs and Senses in Modernism. Basingstoke: Palgrace Macmillan, 2007.

Tonning, Erik. Samuel Beckett's Abstract Drama: Works for Stage and Screen 1962-1985.  Oxford: Peter Lang, 2007.

Van Hulle, Dirk, and Mark Nixon, eds. “All Sturm and no Drang.” Beckett and Romanticism. Beckett at Reading 2006 . Amsterdam / New York: Rodopi, 2007. Samuel Beckett Today / Aujourd’hui 18.

Wynands, Sandra. Iconic Spaces: The Dark Theology of Samuel Beckett’s Drama. Indiana: U of Notre Dame P, 2007.

2006

Ackerley, C. J. Obscure Locks, Simple Keys: The Annotated Watt. Tallahassee: Journal of Beckett Studies Books, 2006.

Angel-Perez, Elisabeth. Voyages au bout du possible: Les théâtres du traumatisme de Samuel Beckett à Sarah Kane. Paris: Klincksieck, 2006.

Barry, Elizabeth. Beckett and Authority: The Uses of Cliché. Basingstoke: Palgrave Macmillan, 2006.

Bernold, André. Becketts Freundschaft. Berlin: Berenberg, 2006.

Casanova, Pascale. Samuel Beckett: Anatomy of a Literary Revolution. London: Verso, 2006.

Derval, André, ed. En attendant Godot de Samuel Beckett (1952-1961). Paris: IMEC, 2007.

Dittrich, Lutz, Carola Veit, and Ernest Wichner. “Obergeschoss still closed”: Samuel Beckett in Berlin 1936/37. Berlin: Matthes & Seitz, 2006.  

Durozoi, Gérard. Samuel Beckett: Irremplaçable. Paris: Hermann, 2006.

Endres, Ria. Samuel Beckett und seine Landschaften: Essays. Aachen: Rimbaud, 2006.

Engelberts, Matthijs, Everett Frost, and Jane Maxwell, eds. “Notes diverse holo.” Catalogue of Beckett’s Diverse Reading Notes and Other Manuscripts at Trinity College Dublin, with Supporting Essays . Amsterdam / New York: Rodopi, 2006. Samuel Beckett Today / Aujourd’hui 16.     

Feldman, Matthew. Beckett's Books: A Cultural History of the Interwar Notes. New York / London: Continuum, 2006.  

Geulincx, Arnold. Arnold Geulincx' Ethics. With Samuel Beckett’s Notes. Ed. Han van Ruler, Anthony Uhlmann and Martin Wilson. Trans. Martin Wilson. Amsterdam: Brill, 2006.

Glasmeier, Michael, and Gaby Hartel, eds. The Eye of Prey: Becketts Film-, Fernseh- und Videoarbeiten. Frankfurt am Main: Suhrkamp, 2006.

Gontarski, S.E., and Anthony Uhlman. Beckett After Beckett. Gainesville: UP of Florida, 2006. 

Houppermans, Sjef, ed. Présence de Samuel Beckett / Presence of Samuel Beckett. Amsterdam / New York: Rodopi, 2006. Samuel Beckett Today / Aujourd’hui 17.

Kozdon, Sabine. Memory in Samuel Beckett's Plays: A Psychological Approach.  Münster: LIT Verlag, 2006.

Léger, Nathalie. Les Vies silencieuses de Samuel Beckett. Paris: Allia, 2006.

Lommel, Michael. Samuel Beckett: Synästhesie als Medienspiel. München: Wilhelm Fink, 2006.

Maier, Franz Michael. Becketts Melodien. Die Musik und die Idee des Zusammenhangs bei Schopenhauer, Proust und Beckett, Wuerzburg: Koenigshausen und Neumann, 2006.

Migernier, Eric. Beckett and French Theory: The Narration of Transgression. New York: Lang, 2006.

Milz, Manfred. Samuel Beckett und Alberto Giacometti: Das Innere als Oberfläche. Ein ästhetischer Dialog im Zeichen schöpferischer Entzweiungsprozesse (1929-1936). Würzburg: Köningshausen & Neumann, 2006.

Mooney, Sinéad. Samuel Beckett. Tavistock: Northcote House, 2006.

Murray, Christopher, ed. Samuel Beckett: 100 Years. Dublin: New Island, 2006.

Piacentini, Gérard. Samuel Beckett mis à nu par ses auteurs, même: Essai sur le théâtre de Samuel Beckett. Saint-Genouph: Nizet, 2006.

Pilling, John. A Samuel Beckett Chronology. Basingstoke: Palgrave Macmillan, 2006.

Pittler, A. Samuel Beckett. München: Deutscher Taschenbuch Verlag, 2006.

Popovic Karic, Pol. Ironic Samuel Beckett: Samuel Beckett’s Life and Drama. Maryland: UP of America, 2007.

Quadflieg, Roswitha. Beckett Was Here: Hamburg in Tagebuch Samuel Becketts von 1936. Hamburg: Hoffman und Campe, 2006.

Rathjen, Friedhelm. Samuel Beckett. Hamburg: Rowohlt, 2006.

Risthaus, Peter, ed. Par Coeur: Einige Lehren Samuel Becketts. Bochum: Posth, 2006.

Souza, Ana Helena. A Tradução como um outro original: 'Como é' de Samuel Beckett.  ("Translation as an other original: How It Is by Samuel Beckett"). Rio de Janeiro: 7Letras, 2006.

Stewart, Paul. Zone of Evaporation: Samuel Beckett’s Disjunctions. Amsterdam: Rodopi, 2006.

Uhlmann, Anthony. Samuel Beckett and the Philosophical Image. Cambridge: Cambridge UP, 2006.

Weller, Shane. Beckett, Literature, and the Ethics of Alterity. Basingstoke: Palgrave Macmillan, 2006.

1999-2005

Ackerley, C. J. and S. E. Gontarski. The Grove Companion to Samuel Beckett: A Reader's Guide to His Works, Life, and Thought. New York: Grove/Atlantic, 2004.

Adelman, Gary. Naming Beckett's Unnamable. Lewisberg, PA: Bucknell University Press, 2004.

Albright, Daniel. Beckett and Aesthetics. Cambridge: Cambridge University Press, 2003.

Arsic, Branka. The Passive Eye: Gaze and Subjectivity in Berkeley (Via Beckett). Stanford, CA: Stanford University Press, 2003.

Badiou, Alain. On Beckett. Trans. Nina Power & Alberto Toscano. Manchester: Clinamen Press, 2003.

Bartillat, Christian de. Deux amis: Beckett et Hayden. Étrepilly: Les presses du Village, 2000.

Ben-Zvi, Linda, ed. Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Assaph Studies in the Theatre. Tel Aviv: Assaph Books, 2003. [contactanath@tauex.tau.ac.il]

Birkett, Jennifer, and Kate Ince, eds.  Samuel Beckett.  New York: Longman, 2000.

Blau, Herbert.  Sails of the Herring Fleet: Essays on Beckett.  Ann Arbor: University of Michigan Press, 2000.

Boulter, Jonathan. Interpreting Narrative in the Novels of Samuel Beckett. University Press of Florida, October 2001

Boxall, Peter, guest ed. Beckett/Aesthetics/Politics / Beckett/l'esthétique/la politique -- Samuel Beckett Today/Aujourd'hui 9, ed. Marius Buning, et al. Amsterdam & Atlanta: Rodopi, 2000.

Bradby, David. Beckett: "Waiting for Godot." Plays in Production. Cambridge: Cambridge University Press, 2001

Brater, Enoch. The Essential Samuel Beckett: An Illustrated Biography. London: Thames and Hidson, 2003.

Brater, Enoch. Beyond Minimalism: Beckett's Late Style in the Theater. Oxford: Oxford University Press, 2002 [reissue of 1987 edition]

Brockmeier, Peter. Samuel Beckett. Stuttgart: Verlag J. B. Metzler, 2001.

Bryden, Mary & Lance St. John Butler, guest eds., Beckett and Religion / Beckett et religion -- Samuel Beckett Today/Aujourd'hui 9, ed. Marius Buning, et al. Amsterdam & Atlanta: Rodopi, 2000.

Buning, Marius, Matthijs Engelberts, Sjef Houppermans, eds. Pastiches, Parodies, and Other Imitations. Vol 11 of Samuel Beckett Today/Aujourd'hui. Amsterdam: Rodopi, 2002.

Buning, Marius, Matthijs Engelberts, Sjef Houppermans, & Danièle de Ruyter-tognotti, eds. "Three Dialogues" Revisited. Vol 13 of Samuel Beckett Today/Aujourd'hui.Amsterdam: Rodopi, 2003.

Cascetta, Annemaria.  Il tragico et l'unorismo: Studio sulla drammaturgia di Samuel Beckett.  Florence: Le Lettere, 2000.

Caselli, Daniela. Beckett's Dantes: Intertextuality in the Criticism and Fiction. Manchester: Manchester University Press, 2005. 

Cerrato, Laura. Génesis de la poética de Samuel Beckett: apuntes para una teoria de la despalabra (Buenos Aires: Fondo de Cultura Economica, 1999.

Chawla, Nishi.  Samuel Beckett: Reading the Body in his Writing.  New Delhi: Prestige, 1999.

Cohn, Ruby.  A Beckett Canon.  Ann Arbor: University of Michigan Press, June 2001.

Collinge, Linda. Beckett traduit Beckett. De Malone meurt à Malone Dies, l'imaginaire en traduction . Genève: Droz, 2000.

Coots, Steve. Samuel Beckett: A Beginner's Guide. London: Hodder & Stoughton, 2001

Cousineau, Thomas. After the Final No: Samuel Beckett's Trilogy. Newark: University of Delaware Press; London: Associated University Presses, 1999.

Davies, Paul. Beckett and Eros: the Death of Humanism.  Houndmills: Macmillan, 2000.

Dukes, Gerry. Samuel Beckett. New York: Overlook Press, 2002.

Engelberts, Matthijs, Slef Houppermans, Yann Mével, and Michèle Touret, eds. L'Affect dans l'oeuvre beckettienne , Vol. 10 of Samuel Beckett Today/Aujourd'hui.Amsterdam & Atlanta: Rodopi, 2000.

Engelberts, Matthijs. Défis du récit scénique: formes et enjeux du mode narratif dans le théâtre de Beckett et de Duras. Geneva: Droz, 2001.

Engelberts, Matthijs, Marius Buning, and Sjef Houppermans, eds.  Poetry and Other Prose/Poesieset autres proses.  Volume 8 of Samuel Beckett Today/Aujourd'hui. Amsterdam: Rodopi, 1999.

Essif, Les. Empty Figure on an Empty Stage: the Theatre of Samuel Beckett and his Generation. Bloomington: Indiana University Press, 2001.

Ferrini, Jean-Pierre. Dante et Beckett. Paris: Hermann, 2003.

Fletcher, John. About Beckett: The Playwright and the Work. London: Faber & Faber, 2003

Fletcher, John. Samuel Beckett, "Waiting for Godot" / "Krapp's Last Tape" / "Endgame." London: Faber and Faber, 2000.

Friedman, Alan. Beckett in Black and Red: Samuel Beckett's Translations for Nancy Cunard's "Negro." Lexington, KY: University of Kentucky Press, 1999.

Godeau, Florence. Récits en souffrance. Paris: Editions Klimé, 2001.

Gontarski, S. E., ed. The Beckett Studies Reader. Gainesville: University Press of Florida.

Gordon, Lois. Reading "Godot." New Haven: Yale University Press, spring 2002

Haynes, John & James Knowlson. Images of Beckett. Cambridge: Cambridge University Press, 2003.

Heinemann, Paul. Potenzierte Subjekte -- Potenzierte Fiktionen: Ich-Figurationen und Ästhetische Konstruktion bei Jean Paul und Samuel Beckett. Würzburg: Königshausen & Neumann, 2001

Houppermans, Sjef. Samuel Beckett & Compagnie. Amsterdam: Rodopi, 2003.

Jeffers, Jennifer. Uncharted Space: The End of Narrative. Peter Lang, 2001.

Jones, David Houston. The Body Abject: Self and Text in Jean Genet and Samuel Beckett. Peter Lang, 2000.

Katz, Daniel. Saying "I" No More: Subjectivity and Consciousness in the Prose of Samuel Beckett. Evanston, IL: Northwestern University Press, 1999.

Keller, John. Samuel Beckett and the Primacy of Love. Manchester: Manchester University Press, 2003.

Kelley, Paul B. "Stories for Nothing": Samuel Beckett's Narrative Poetics. New York: Peter Lang, 2002.

Kundert-Gibbs, John L. No-Thing Is Left to Tell/Chaos Theory in the Dramatic Art of Samuel Beckett. Madison, NJ: Fairleigh Dickenson University Press, 1999.

Lane, Richard J., ed. Beckett and Philosophy. New York: Palgrave, 2002

Levy, Shimon. Samuel Beckett's Self-Referential Drama: the Sensitive Chaos. 2nd revised edition. Brighton: Sussex Academic, 2002.

Libera, Antoni. Samuel Beckett: Wiernosc prezgranej. Krakow: Wydanictwo Znak, 1999.

Lüscher-Morata, Diane. La Souffrance portée au langage dans la prose de Samuel Beckett. Amsterdam: Rodopi, 'Faux Titre 266', 2005.

Marvel, Laura, ed. Readings on "Waiting for Godot." Literary Companion Series. Farmington Hills, MI: Greenhaven Press, 2001.

Mitchel, Breon & Lois More Overbeck, eds. Word and Image: Samuel Beckett and the Visual Text/Mot et image: Samuel Beckett et le texte visuel.  Atlanta: Robert W. Woodruff Library, Emory University,1999.  [for copies, contact Druid Hills Bookstore, Atlanta]

Moorjani, Angela, & Carola Veit, eds. Samuel Beckett: Endlessness in the Year 2000 / Fin sans fin en l'an 2000. Volume 11 of Samuel Beckett Today/Aujourd'hui.Amsterdam: Rodopi, 2001

Oppenheim, Lois, ed. Palgrave Advances in BeckettStudies. London: Palgrave Macmillan, 2004.

Oppenheim, Lois, ed. Samuel Beckett and the Arts: Music, Visual Arts and Non-Print Media. New York: Garland, 1999.

Oppenheim, Lois.  The Painted Word: Beckett's Dialogue with Art.  Ann Arbor: University of Michigan Press, April 2000.

O'Reilly, Edouard Magessa, ed. Samuel Beckett,"Comment c'est" "How It Is" and/et "L'image: A Critical-Genetic Edition / une Édition critic(o)-génétique. New York: Garland, 2001.

Pattie, David. The Complete Critical Guide to Samuel Beckett. London: Routledge, 2001.

Rathjen, Friedhelm. weder noch. Aufsätze zu Samuel Beckett. Scheeßel: Edition ReJoyce, 2005.

Ross, Ciaran. Aux frontières du vide. Beckett: une écriture sans Mémoire ni désir. Amsterdam/New York: Rodopi, 2004.

Sardin-Damestoy, Pascale. Samuel Beckett autotraducteur ou l'art de l'empêchement. Collection Traductologie. Arras: Artois Presses Université, 2002.

Schweiger, Hannes. Failing better: Die Rezeption Samuel Becketts in Österreich. Peter Lang, 2005.

Smith Frederik N. Beckett's Eighteenth Century. London: Palgrave, 2002.

Sussman, Henry and Christopher Devenney, eds.  Engagement and Indifference: Beckett and the Political.  Albany: State University of New York Press, 2000.

Tsushima, Michiko. The Space of Vacillation: The Experience of Language in Beckett, Blanchot, and Heidegger. New York: Peter Lang, 2003.

Uhlmann, Anthony. Beckett and Poststructuralism. Cambridge & New York: Cambridge University Press, 1999.

Veit, Carola. Ich-Konzept und Körper in Becketts dualen Konstruktionen. Berlin Weidler Uhlmann, Anthony, Sjef Houppermans, Bruno Clément (eds.). After Beckett / D'après Beckett. msterdam/New York: Rodopi, 2004

Van Hulle, Dirk, ed. Beckett the European. Tallahassee: Journal of Beckett Studies Books, 2005.

Veit, Carola. Ich-Konzept und Körper in Becketts dualen Konstruktionen. Berlin Weidler Buchvertag, 2002.

Weller, Shane. A Taste for the Negative: Beckett and Nihilism. Oxford: Legenda, 2004.

Wesberg, David.  Chronicles of Disorder: Samuel Beckett and the Cultural Politics of the Modern Novel.  Albany: State University of New York Press, 2000.

Worth, Katharine. Samuel Beckett's Theatre: Life Journeys. London: Oxford University Press, 2001. [Paperback re-issue]

1995-1998

Abbott, H. Porter. Beckett Writing Beckett: The Author in the Autograph. Ithaca: Cornell University Press, 1996.

Acheson, James. Samuel Beckett's Artistic Theory and Practice: Criticism, Drama, and Early Fiction. New York: St. Martin's Press, 1997.

Andonian, Cathleen C., ed. The Critical Response to Samuel Beckett. Westport, CT: Greenwood, 1998.

Badiou, Alain. Beckett. L'increvable désir. Coup double. Hachette. Paris, 1995.

Becher, Frank. Keine Versohnung mit dem Nichts: Zur Rezeption von Samuel Beckett in der DDR. New York: Peter Lang, 1997.

BECKETTIANA. Cuadernos del Seminario Beckett (Universidad de Buenos Aires), No. 4, 1995.

Begam, Richard. Samuel Beckett and the End of Modernity. Stanford: Stanford University Press, 1996.

Breuer, Rolf and Werner Huber, eds. A Checklist of Beckett Criticism in German. Paderborn: Schoningh, 1996.

Brockmeier, Peter, and Carola Veit, eds. Komik ultar, Gonul. Technique and Tradition in Beckett's Trilogy of Novels. Lanham,MD: University Press of America, 1996.

Rathjen, Friedhelm. Samuel Beckett und Sein Fahrrader. Dramstadt: Verlag Jurgenhausser, 1996.

Stevens, Richard. The Insanity of Beckett's Art. Parker, CO: Parker Distributing, 1997.

Tonnies, Merle. Samuel Beckett's Dramatic Strategy: Audience Laughter and the Postmodernist Debate. Trier, GER: WVT Wissenschaftlicher Verlag, 1997.

Touret, Lectures de Beckett. Rennes: Presses Universitaires de Rennes, 1998.